Under the artistic direction of Karen Russo Burke, Dayton Ballet’s vision is one of diversity. Her emphasis on developing each dancer as an artist as well as a professional athlete challenges the dancers to new heights as well as making Dayton Ballet a company to recognize.
Karen has created more than 30 works for the company, ranging from classical to contemporary. She has an affinity for story ballets such as Cinderella, The Nutcracker and Butterfly Suite. Her contemporary pieces, such as Modus Operandi, set to music by the Blue Man Group, is a Dayton audience favorite. Her works No Strings Attached and Fate of Place have included collaborations with current musical composers, such as Dr. Stella Sung, the Dayton Performing Arts Alliance’s recent Music Alive Composer-in-Residence.
Karen has been involved with Dayton Ballet since 1993. Prior to becoming artistic director, she served as a teacher, director of Dayton Ballet II for 12 years, ballet master, and choreographer for the organization. She was also coordinator of Dayton Ballet’s outreach program in 1997, Dance Power, directing and teaching inner-city children the art of dance.
As a professional dancer for more than a dozen years, Karen had leading roles in ballets by dance legends such as Antony Tudor, José Limón, Gerald Arpino, Paul Taylor and current choreographers such as Septime Webre.
In 2005, Karen was honored by her prior professional company, American Repertory Ballet, for her commitment and excellence in the field of dance. She was awarded the Ohio Arts Council Excellence in Individual Creativity Award in 2006, and in 2010 the Dayton Business Journal honored her for her professionalism in the arts community.
She has taught at Wright State University, University of Dayton, Stivers School for the Arts, University of Cincinnati College-Conservatory of Music, Rutgers University and the Princeton Ballet School.
As a member of the Dayton Performing Arts Alliance, Karen is enjoying her continuing production collaboration with Dayton Opera and Dayton Philharmonic Orchestra. Her choreography and staging has been seen in many operas and Season Opening Spectaculars, such as The Book Collector and Carmina Burana in 2016. She is looking forward to being able to work with Tom and Neal on many more wonderful DPAA productions.
Megan Forney | Director, Dayton Ballet II Junior Company
Megan has been a teacher at Dayton Ballet School since 2008. Originally from St. Louis, Missouri, she moved to Dayton to pursue a Bachelor of Fine Arts degree in Dance Performance from Wright State University. While at Wright State, Megan performed with the Wright State Dance Ensemble and was a member of the Dayton Ballet II Senior Company. During her summers away from WSU, she studied at Ballet Chicago and Ballet Internationale. As a member of DBII Sr., Megan performed in Dayton Ballet productions including The Nutcracker, Romeo and Juliet, An American Cinderella, The Legend of Sleepy Hollow, Swan Lake, America's Robin Hood and There Was a Time. She is thrilled to be in her third year as Director of the Dayton Ballet II Junior Company.
Sharon Neumeister | Rehearsal Assistant
Sharon was featured in many principal roles during her ten years as a dancer with the Dayton Ballet. Some of her most memorable performances include "Sugar Plum Fairy" in The Nutcracker, "Tiger Lily" in Peter Pan, "Mina" in Dracula, "Fairy Godmother" in An American Cinderella, "Odette" in Swan Lake, "the Mother" in The Who's Tommy, "Mrs. Cratchit" in A Christmas Carol, "Michaela" in Carmen, "Black Coffee" in Hot Riffs and Blue Notes, "Amelia Earhart" in Into the Blue, "The Outfielder's Dream" in Play Ball, "Sleepwalk" in Shaken But Not Stirred, and "Meant to Be" in Five Flights Up. Sharon has also restaged many Dayton Ballet favorites, including Septime Webre's Swan Lake and Peter Pan, Gregory Robinson's Hot Riffs and Blue Notes and Mozartiana, Dermot Burke and Stephen Mills's There Was a Time, Mr. Burke and Mr. Robinson's American Robin Hood, Stuart Sebastian's Dracula, and Christopher Fleming's The Who's Tommy.