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Carmen

May 2017


SCHUSTER CENTER DIRECTIONS
 
   8:00 pm Friday, May 19, 2017 
   3:00 pm Sunday, May 21, 2017 

7:00 pm | Pre-performance Talk one hour before performances in the Mead Theatre
Pre-performance Opera Bites before performances in the Wintergarden


A DPAA SIGNATURE EVENT

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Box Office (888) 228-3630

P $94  |  A $89  |  B $68  |  C $38  |  D $28  
Student Rush price $15 day of performance 

CARMEN
Music by GEORGES BIZET

IN FRENCH WITH ENGLISH SURTITLES 

NEAL GITTLEMAN conductor WEBSITE
THOMAS BANKSTON opera artistic director WEBSITE
KAREN RUSSO BURKE choreographer WEBSITE
FENLON LAMB stage director WEBSITE
AUDREY BABCOCK* mezzo-soprano – Carmen WEBSITE
DOMINIC ARMSTRONG tenor – Don José WEBSITE
DEBORAH SELIG soprano – Micaëla WEBSITE
NATHAN STARK bass – Escamillo WEBSITE
VINCENT GRANA* bass-baritone – Zuniga WEBSITE
CHELSEA FRIEDLANDER soprano – Frasquita WEBSITE
ELIZABETH FREY* mezzo-soprano – Mercédès WEBSITE 
BRIAN SKOOG* tenor – Remendado WEBSITE
TYLER ALESSI* baritone – Dancaïro 
ALEXANDER HARPER* baritone – Moralès 

*Dayton Opera debut

DAYTON OPERA CHORUS 
DAYTON PHILHARMONIC ORCHESTRA
DAYTON OPERA
DAYTON BALLET
KETTERING CHILDREN'S CHOIR 
 
Carmen’s seductive, she’s elusive, she’s a danger to your heart. And best of all, she’s irresistibly tuneful.

Poor Don José. Poised to marry Michaela, the hometown “good girl” whom his mother approves, he topples like a giant oak in a storm when the fiery gypsy sets her laser sights on the hapless corporal. Don José doesn’t give in without a struggle, and neither does pure-hearted Michaela, who dares to search for her love in the mountainous gypsy smugglers’ lair. But who can resist Carmen’s seductive Seguidilla or her inviting, tempestuous Habanera? Certainly not Don José, and definitely not the generations of audiences who have made Georges Bizet’s masterpiece one of the most frequently performed operas ever.

Alas, what Carmen boasts in allure and vocal splendor, she lacks in attention span, and Don José soon finds his once-comfortable world quickly imploding. He risks everything for the temperamental gypsy—his military career, his former sweetheart, even a chance to see his dying mother. And for what? Fleeting passion in the midst of a smuggling ring he was supposed to police. His doom is set when in swaggers his rival, the virile baritone Escamillo, a bullfighter. Well-equipped with the glamour of the bullring and the irresistible Toreador Song, Escamillo snatches the prize from the devastated tenor, Don José. Despite fateful warnings from a reading of the cards, Carmen never veers from her self-determined path to destruction. She must remain forever free! She will pay for her freedom with her life.

Don’t miss the opera that shocked Paris with its frankness and made Bizet’s enduring fame. 

Classical Series sponsored by Premier Health 
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DP&L Foundation DPAA Innovation Partner—Powering Innovation in the Performing Arts
Hampden W. and Erma R. Catterton Charitable Trust—Innovation Sponsor 
ELM Foundation—Principal Sponsor 
The Jesse and Caryl Philips Foundation—Principal Sponsor 
Harry A. Toulmin, Jr. and Virginia B. Toulmin Fund of The Dayton Foundation—Principal Sponsor 
10 Wilmington Place Leadership Sponsor 
Emerson Climate Technologies, Inc. Leadership Sponsor 
Gosiger, Inc. Leadership Sponsor 
The Bill and Jackie Lockwood Family Foundation – Leadership Sponsor 
Premier Health Leadership Sponsor
Crowne Plaza Performance Sponsor
Bob Ross Auto Group Official Automobile Dealership of the Dayton Philharmonic
DataYard Official Data Provider of the Dayton Opera and DPO
Marriott University of Dayton Official Hotel of the Dayton Philharmonic
One Call Now
DPAA Communications Partner
Coco's Bistro Official Cast Party Host of the Dayton Opera
The Jesse and Caryl Philips Foundation – Orchestra Music Provider
Opera Guild of Dayton Surtitles Provider
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