Tenor Zach Borichevsky is “equipped with a flexible, bright voice that already has made him one of
the most sought-after singers of his generation.” Mr. Borichevsky is known as a “star-level tenor”
with “precise, nuanced high-register singing and agile acting,” paired with a “magical sense of
complete spontaneity that comes from being in total command of the instrument.” A series of
significant débuts have established Mr. Borichevsky as one of the most thrilling vocal talents to
appear on the international stage; he has created widely celebrated international performances in
roles such as Rodolfo in La bohème with Finnish National Opera, Roméo in Roméo et Juliette
for Teatro Municipal de Santiago in Chile, and Alfredo in La Traviata for the Glyndebourne
Festival.
Last season, Borichevsky performed two last-minute jump-ins: as Edgardo in Lucia di
Lammermoor with Opéra Nice Côte d’Azur and in the title role of Faust for Detroit Opera,
having previously covered the role for the Lyric Opera of Chicago. Of the latter, OperaWire
wrote “Borichevsky revealed himself to be a masterful and technically competent lyric tenor
with an innate cut and ring… [he] delighted and captivated the audience with his presence.”
In addition, Borichevsky reprised his honed performance of Rodolfo in Nashville Opera’s La
bohème, sang Messa di Gloria for Toledo Symphony, performed the Duke in Rigoletto with
the Rochester Philharmonic, and returned to Aspen Music Festival for Berlioz’s Requiem.
This season, he joins The Metropolitan Opera to cover Rodolfo in La bohème and Roméo in
Roméo et Juliette. Additionally, he takes his Roméo to Toledo Opera and sings Cavaradossi
in Tosca with Dayton Opera.
Other recent engagements have included Mr. Borichevsky’s first Narraboth in Salome with the
Spoleto Festival, USA, Eisenstein in Die Fledermaus for Palm Beach Opera, a reprisal of Alfredo in La
Traviata for Opera Grand Rapids and Seattle Opera, Cassio in Washington National Opera’s
production of Otello, Rodolfo in La bohéme with Toledo Opera and English National Opera,
Pinkerton in Madama Butterfly for Teatro Municipal de Santiago in Chile, and Anatol in Vanessa for
Santa Fe Opera. He made his Metropolitan Opera début as Edmondo in Manon Lescaut. In concert,
Zach performed the tenor solo in Verdi’s Requiem for the National Philharmonic at the Kennedy
Center and recorded a virtual Messiah with New Choral Society.